Even though there are many new “keroncong” compositions, but the new “keroncong” songs are rarely published in media.

songs, for a treasure of Indonesian national audio, continues to be suffering from an extended period since the arrival of the Moorish as Portuguese slaves to Indonesia while in the 16th century. inside the long period, the “keroncong” songs then, as other kinds of regular music, must experience field tunes, In particular Western new music.

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The power of economic funds, the superiority of technological innovation, plus the sophistication of promoting floor down regular tunes. This paper attempts to research the “keroncong” audio in Indonesia which can nevertheless be managed or popularized via several ways and by making a correct media of promotion for instance as a result of television and radio making sure that Modern society are familiar to “keroncong” songs.

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The emergence of “campursari” inside the 1990s, pioneered by Manthous, introduced an influence of curiosity and have become a magnet for followers and activists of “keroncong” and classic audio so that they appreciate the new music and plenty of groups of “campursari” music which can be rooted from “keroncong” grew.

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The same exertion was completed by Didi Kempot and Koko Thole that has given new colour to “keroncong” songs. They made attempts to spread “keroncong” new music to an array of Culture and likewise acquire the music alone.

Therefore, “keroncong” artists should make innovations or changes which will appeal to men and women’s desire to “keroncong” tunes. They should make tune lyrics that reflec the lifetime of Modern society or choose themes that is certainly in accordance for their time period.